Esperanza Spalding has been exploding lately, and with good reason. Her enthusiastic and earthy character is matched by an articulate and proficient style of breezy jazz. The WWOZ Jazz Tent was certainly hypnotized, and I think more than a few crushes were formed.
The Congo Square Stage was just as overflowing as its Festival schedule square for the Dirty Dozen Brass Band and the Glass House Reunion with the Rebirth Brass Band. Later on, John Boutté put on a refreshing set at the 'OZ Jazz Tent.
I'll admit I decided to go see Freddie Ford mostly out of curiosity, but apparently he anticipated this. Twenty-seven Jazz Festivals, and way more since his R&B smash "Sea Cruise", the "New Orleans Dynamo" gladly beat us to every joke about his age that we could have imagined, to the point where his drummer would supply rimshots right on cue.
Since food is as much a priority as music for some of us at Jazz Fest, we decided to ask 'OZ staff members and folks who are involved in WWOZ's Jazz Fest live broadcasts what they eat at the Fairgrounds. Their choices are sometimes different that those of the musicians we surveyed last week, but they all should make your mouth water.
The Meter Men described themselves as senior citizen funk, but by looking and listening to them it was hard to agree. George, Leo and Zig were tight and together, playing the low-down grooves they were known for in their Meters days but with plenty of vicious shredding from Leo. Without a doubt this was one of the day's highlights at the Acura Stage.
I'm starting to think there's a competition among Blues Tent performers to outdress each other. I'm having a hard time choosing a winner so far, but Lil' Ed (pictured at right) is certainly in the running. Showy regalia aside, I'm a big fan of his recent Alligator Records release Full Tilt and was pleased to find that energy fully intact for his Jazz Fest performance.
Little Freddie King was already a big glowing square on my Jazz Fest schedule, but his single-song appearance at the Ponderosa Stomp last night really whetted my appetite. You see, despite his modest moniker and innocent smile on the cover of his MadeWright Records release, Messin' Around Tha House, Freddie's got more fire in him than plenty of performers half his age. Now I don't just mean that he can flick out devious blues riffs in his sleep; he can really (to employ some antiquated slang) shake a leg.
The New Orleans Jazz & Heritage Festival is one of the premier music festivals in the world.But Jazz Fest is not only music, a major component is the food offerings. There are eight areas serving food, including four major ones, with a total of just under 70 food booths. Take this brief tour and get some good eatin' tips from our resident foodie, Tom Morgan.
Each day in between Jazz Fest, the Louisiana Music Factory in the French Quarter has live performances all day long. Guests include legends like Henry Gray, Leo Nocentelli, and Kermit Ruffins. I happened to squeeze in onTuesday just in time to catch one of the best regular live acts in town, a supergroup consisting of Joe Krown on organ, Walter "Wolfman" Washington on guitar and vocals, and the powerhouse drummer Russell Batiste.